Mensagens
Hailstorm
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White upon all,
The sun reflects,
Overflowing through the water,
Echoing within itself
And into nothing.
They are pearls, pearls descending,
Thousands upon the cobbled street,
Melting away like water,
So it rains a white drift.
Fragments, pearls, and silver spray,
Flow down the bent backs of those who pass.
Through the streets and broad avenues,
Over the rushing cars.
Everyone hurries in languid flight,
All sounds drowned beneath the white,
Never noticing the beauty
That calls to them from every side.
The Obscure Side
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Tock...
Echo...
Tock...
Echo...
Repeatedly, the hard wooden sole echoed through the
deserted, dimly lit street. The cold, dry night prolonged and stretched into
the emptiness the echo of his footsteps.
Where was he? Where was he walking? It mattered
little. He always ended up in the same place—to nowhere. His purpose, only one:
to lose himself.
As he walked, his thoughts lost themselves in a single
feeling, falling into the void, swallowed up.
Not to see, not to hear, to walk.
Without noticing, little by little, the worn intensity
of the lights was gradually withdrawn. The streetlamps went out, slowly. Walls
and houses lost their substance.
He continued on, blind, deaf.
Tap...
Vvv...
Tap...
Vvv...
A new echo resounded...
Tap...
Vvv...
Tap...
Vvv...
This one settled within him, like gentle caresses upon
one who sleeps. It awakened him slightly, stemming the flow of thoughts that
ran straight toward alienation.
He raised his head and looked. Behind him and before
him, the streetlamps were extinguished, concealing the silhouette of the houses
and filling the ends of the street with blackness. But, on the opposite side of
the street, a streetlamp projected its bright white light upon the bent back of
a man.
He wore dirty, worn-out rags. His greasy hair spread
in a rebellious dishevelment. His hands, grey with earth, raised a pointed
chisel that dragged itself across the wall.
Tap...
Vvv...
Echo...
He looked at the man, looked at the wall, saw it
furrowed with hundreds, thousands of words. Words crowded together, without any
syntactic connection. From them, only their own morphological meaning could be
extracted—obscure, singular, exclusive.
Interwoven with the fricative echo produced by the
scraping of the chisel came the dull, worn sound of the man's voice.
"I was waiting for you," said one.
"I was looking for you," said the other.
Ouroboros
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Emptiness is everywhere and nowhere!
It surrounds us, it covers with her mantle the body of our existence. It’s in things, inside things, outside things, in-between things, around us, inside us. Is real, corporeal. Not a metaphysical abstraction. You can feel it, sense it, intuit it, touch it, eat it, scream it! And even so we try... Time and time... To complete it, to fill it. Oh! The delusion of denial, that this thing isn't us, it doesn't makes us, and that can be fulfilled by... things. Only the circle can complete it, the construction of the deconstruction of the construction. Ouroboros! Fulfillment by unfulfillment, filling aby emptying. Emptiness is everywhere and nowhere. In the meantime, I have bills to pay!
The sound of static / O som da estática
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Murmuring a murmur in the murmuring sea.
The sound softly whispers soothing me.
Tears tearing through the roars wave
Undulating broken by his shadow edge.
That tears through time and makes it stay.
The horizon smudges in a blur of orange
Is dusk? Is dawn? Something calls me...
It dances through the world, without haste or fear.
It pulls the water, pushes the foam,
I sway fixed to the music's tone.
Something intimate within existence.
The deaf mute sound of the thing-in-itself,
Vibrates with life the Pi static.
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(Pt original version)
Murmuro murmurando no murmúrio do mar.
O som sussurra suave para me aclamar.
Range rasgando o rugido da onda
Ondeando quebrada pelas orlas da sombra.
Que rasga o tempo e o faz prolongar.
Esborrata o horizonte borra laranja,
Anoitece ou alvora? Algo me chama…
Dança sobre o mundo, com vagar, sem medo.
Puxa a água, empurra a espuma,
Meneio-me fixo ao ritmo da música.
Algo do íntimo de toda a existência.
Surdo som mudo da coisa em si,
Vibra viva a estática em pi.
Saraiva
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A branquez em tudo
É o sol que pela água extravasa.
Reflete-se em si e em tudo,
E em nada.
São pérolas, são pérolas a cair,
Milhares que pela rua empedrada se desfazem como água,
Assim chove, chuva branca.
Salpicos de fragmentos, de pérolas, de pingos,
Escorrem pelo dorso dobrado de quem passa.
Pelas ruas, avenidas, pelos carros que correm,
Pelas pessoas que se movem.
Foge tudo em languidos movimentos,
Abafados pela trajetória dos fragmentos,
Nem se apercebem da beleza branca,
Que ao seu redor clama.




